I just received my author copy of the magazine in the mail today - it was a fun trip down memory lane. The bulk of the projects I wrote for Creative Jewelry are reproduced here, as are many of my favorites by friends and colleagues (one of my absolute favorite designs by Lorelei Eurto, "The Kiss", is on page 61). It's on the stands now, so please check it out when you have the chance!
My local bead store, Chelsea's Beads, has just brought in a really nice shipment of Roman glass beads. (I took a look, and some of them are available on-line. In fact - hey! - I didn't even see those cute fish shaped beads when I was in the store.) It's difficult to tell from the above photo, but these beads are actually pretty big - the focal pendant is about 2" in diameter. Look under the " Large Circle" section on-line for similar-sized strands. Ack - since I first drafted this, they've already sold out! On the plus side, the barrel shaped beads are now 50% off, so you may want to check them out (soon!).
This photo is pretty terrible, but I really loved these two strands - the blue is a beautiful cobalt blue and the smaller beads come from broken bangles and are very colorful. For those unfamiliar with this great, family-owned store, Chelsea's Beads does have wholesale accounts - please contact them for details. (By the way, I purchased all of these beads myself, and the store does not know that I am blogging about them.)
Last year, I had this great idea to expand my "Love is a Puzzle" series of pendants - a big rebus with "Eye Love You". I have been cackling with glee over this one - I thought it was a really original, graphically appealing design. In fact, I was just getting ready to sketch it out and make it for a contest later this year, when I checked out Anne Choi's newsletter this morning and found the above bead - a design I am sure has been in her stable of beads for ages.
Damn it. I always hate it when a design I thought was very creative turns out to have already been better executed by a more talented artist. (Anne Choi is one of my heroes - who can resist her work? I mean, really?)
This is an object lesson to me to do my homework. I've had this happen once before. Several years ago, I was working on a metal clay window design. I was still in the sketching process when I came across Noel Yovovich's fabulous bracelet (you can see a photo of it on her blog, here). I got depressed and shelved the piece. Of course, many people have been playing with window design beads since then, and I have since come up with an original twist on it (knock on wood), so it is actually back on my list of things to do - but it's taken a few years in between to reconsider the design.
This one I think I'm going to have to scrap altogether, though. The originality is in the rebus itself, and I think Anne's bead is beautiful.
Has anyone else had this experience? Because, you know, misery loves company, and I am feeling seriously disappointed right now!
Here's the view from my window this morning. The Short One was mighty excited (you can see his tracks in the bottom left of the photo). Me, less so! I fear our prime bunny real estate is no longer so prime...
Beading Arts The final chapter of Cyndi's e-book is now available! "Fibers, Fabrics, and Beads" challenges you to integrate all the fiber arts that you already love with your bead embroidery!
Earthenwood Studio Chronicles Melanie introduces a new egg themed design and wonders what the Earthenwood Design Team will hatch up in jewelry designs.
Snap out of it, Jean! There's beading to be done! Jean is still taking part in the April A to Z blogging challenge: "L" is for "L"isa Niven Kelly, and her "L"ovley book Jean loved and previously reviewed http://prettykittydogmoonjewelry.blogspot.com/2011/04/to-z-blogging-challenge-l-is-for-lisa.html
The Bead Dreamer A vintage belt buckle takes center stage in a bold necklace designed by Charlene Strands of Beads Melissa is back and is wondering if anyone else has trouble using materials that are "too special" in their projects?
So, my husband showed up at the dinner table tonight with the above photo - have you ever seen cuter bunnies nestled up together? Neither have we (I particularly enjoy the little hind leg and bottom on the right hand side of the photo). There's really only one problem with this scene:
Yes, it seems the mommy bunny that lives in our back yard took the initiative this year and set up her nest actually inside our garden box (right where the tomato and green bean seedlings are slated to be planted in a few weeks).
Each year, I watch our local rabbit wander oh-so-nonchalantly up to our garden boxes. Honestly, I can almost hear her whistling while looking in the opposite direction and gradually sidling up to the box in the most innocent manner. So, I just have this picture in my mind of her thinking, "Yes, prime real estate at last - maybe he won't even notice we're here!"
Not being the serious gardener in the family, the Short One and I are quite excited by our new neighbors. The Gardener, however, is somewhat tearing his hair out. Based on our extremely careful (ahem) internet research, though, it seems the babies should be leaving the nest in the next couple weeks, so the G. has agreed to wait until then. At which time, I'm sure he'll be seen spraying the box with fox pee (or whatever he thinks will actually keep the local wildlife away this year) - but that, as they say, is another story.
So, I've had this "problem" rattling around in the craft closet.
A while ago, when I was relatively new to metal clay and the Short One was more interested in reciting the alphabet than talking our ears off about Marvel superheroes, I toddled off with a 40% off coupon to purchase a packet of PMC3 from a local art supply store. When I went to check out, the nice young lady at the register asked me if I had seen the metal clay that they had marked for clearance. She took me over to the locked cabinet where they kept the clay and handed me the box, above: 10g of fine gold clay, marked down to 50% off. The price? $103.00.
Now, this seemed hideously expensive for a small lump of metal clay, but, even then, I knew it was a great price for gold, so I decided to splurge and picked it up. Because I felt like (and was) a neophyte with working with the clay, I set it aside until I felt more technically competent to deal with such a precious material.
I'm not even sure they sell this type any more - I haven't seen it around in catalogs for a while. This is the kind that actually fires to 24k. Despite the fact that it's several years old, the lump still seems perfectly malleable in its little sealed packet. I check this periodically while I debate what do to. (Of course, I could be wrong and the clay is completely unworkable now, which would make the whole issue moot. I try not to think about this possibility. A lot.)
Every few months after purchasing it, I would take the box out, think hard, and decide that my technical skills still weren't up to snuff for using it.
After I finally came off of my seven month hiatus in February and started working with the clay again, I was determined finally to get the gold clay out and use it (before it really gets too hard, and I have no choice but to turn it into paste). Then I checked the current price of precious metals and nearly fainted. 10g of PMC Gold, the 22k version currently on the market is now selling for over $600.00. Gack!
As stupid as it is, I may never get the nerve up to use this clay. Which I know would be a complete waste, but I find the whole situation paralyzing. Does anyone else have this problem, like buying particularly nice beads and then never finding a project "good enough" for them?
I just finished my Bead Dreams entry yesterday, as usual, running right down to the wire - but I did make the deadline. Barely. Anyway, working on any contest piece means I've been getting out my high end strands for stringing inspiration. I didn't end up using the above in the Bead Dreams piece, but it's such a stunning strand that I thought I'd post a pic on the blog. Here's some malachite I picked up last year. Isn't it gorgeous?
The more I design, the more attracted I am to the less processed stone beads - raw tourmaline, rough-sliced garnet, and this gorgeous rough cut malachite. Mm-mmm.
I am an intellectual property lawyer by training and have a background in English Renaissance literature. I love science fiction. I primarily watch Sesame Street these days and find myself humming "Pop Goes the Weasel" at odd moments (guess why). I can happily eat ice cream in the middle of winter when the wind chill is 20 below 0. I have been making beads and designing jewelry since 2007.
2010 - Winner, First Place, British Bead Awards, Other Finished Bead Jewellery 2010 - Winner, Second Place, British Bead Awards, Metal Clay Jewellery 2010 - Winner, Second Place, Bead Dreams, Metal Clay
2010 - Grand Prize, Gold Medal Winner, Fire Mountain Gems and Beads, Metal Clay, Metal Beads, Wirework and Chain Jewelry-Making Contest
2010 - Finalist, Bead Star, Stones, Plastics and Designs with Heart Categories
2009 - Winner, First Place, British Bead Awards, Metal Clay
2009 - Winner, Second Place, British Bead Awards, Beyond Glass, Handmade Beads and Components
2009 - Winner, Second Place, Bead Arts Awards, Necklace
2009 - Finalist, Bead Dreams, Metal Clay
2008 - Finalist Fire Mountain Gems and Beads Beading Contest, Metal Clay
2008 - Finalist, Bead Star, Pearls
A word about copyright
As indicated in the copyright notice, the contents of this blog are copyright by me. To the extent that instructions to make jewelry, beads, knit items or other instructions are included in this blog, they are free for you to use to make the projects for personal use. They should not be used for commercial purposes, ie, to make items for resale.